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Längst nicht mehr koscher Die Geschichte einer Familie |
Content Review Sample text Order |
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| ISBN 3-707602-087 |
The family history of the five Erdheim brothers
begins around 1870. It is set in Boryslav/Drohobycz in
oil-rich Galicia in the Austro-Hungarian Empire. Moses
Hersch, the patriarch, has made a fortune out of oil and
mineral discoveries. He owns mines, an oil refinery and a
brewery. Against the background of Manchester capitalism,
the brothers grow up in the sheltered warmth of a Jewish
family. They are devout but enlightened Jews. At the end
of the century, four brothers move to Vienna to study
medicine and law. One brother remains in Galicia, another
returns home a qualified lawyer. The family is now
centered on Vienna with its hospitals and clinics, its
university dissecting rooms and its dubious pleasures in
the Prater. One brother becomes a prosperous businessman
hiring domestic servants and sending his wife to summer
health resorts in Franzensbad and Wörrishofen. His
rebellious daughter joins the sozialistische
Mittelschüler, qualifies as a medical doctor and intends
to train as a psychoanalyst. Following the National
Socialist Machtergreifung, the family is under
threat. The Erdheims who remained in Boryslav/Drohobycz
perish in Galician ghettos. One of the brother’s sons,
living in Hungary at the time, dies in a concentration
camp in Melk – one of the camps in the notorious
Mauthausen network. One of the brohters and his wife
assume false names and manage to survive in occupied
Poland until the coming of the Red Army. The rebellious
daughter survives the Third Reich in Vienna with her
non-Jewish partner, an anti-Fascist and resistence
fighter. They marry in August 1945. Her husband becomes a
member of the provisional post-war Karl Renner government
and she gets the professional qualifications denied her
during the Third Reich. |
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Review The Erdheims This account is not a family saga in the genre of Frenzen, Foer, Lewinsky et al. Technically superior to the standard rose-tinted formulaic examples, the book’s subtitles – A Family History. A Novel. – indicate, in common parlance, a hybrid. The family history of the Erdheims is meticulously recounted from 1866 to 1945- in part using family and historical documents. Tea Erdheim, the mother of the author and a fascinating figure - rebellious, courageous and endowed with exceptional staying power – marries Lenz, a member of the resistance, in 1945. By ending the novel in 1945, the year of her birth, the author distances herself from any autobiographical involvement. In contrast to Peter Singer’s family history, My Grandfather, the only comparable account, Längst nicht mehr koscher details the workings of assimilation and the dream of its accomplishment. Assimilation dominates the lives of the five Erdheim brothers, sons of Tea’s grandfather, Moses Hersch. Moses Hersch is the owner of oil wells in Galician Boryslav. The hopes of the protagonists and their striving for assimiliation are sharply contrasted with contemporary political opinion about the Jews as expressed in the newspapers. When the Erdheims celebrate Christmas in 1914 in much the same way as their Viennese contemparies, the talk turns to Jakob, a medical doctor at the front – “A Jewish hero. There are no Jewish heroes.” The author went so far as to learn both Polish and Yiddish to be able to research newspaper reports and documents and read exchanges of letters between members of the family. Many of these moving letters are reproduced in the text and stand witness to the history of the times. Even though some of them are the author’s constructs, they are so true to the style of the originals that the reader is unaware of the difference. Against a background of the sons striving for social respectability - two of them are medical doctors, two of them businessmen and one a lawyer – the author sketches out a multi-facetted panorama of Jewish life at the turn of the century. Some of this panorama may seem familiar as the Erdheim family was by no means atypical. Professional crises, illnesses, separations, unconventional lifestyles and intellectual preoccupations – Schnitzler, Nordau and Kraus – figure strongly. From 1934 on the persecution of the Jews begins to impact on every member of the family in Austria, Poland, the Ukraine and Hungary. As Nazi racial ideology leads to the destruction of European Jewry, family and political history intertwine. This occupies about one third of the book. Deploying short and simple, unvarnished sentences, the author leaves the reader with no illusions and avoids the dangers of over-sentimentality. At no point does the book threaten to be an escapist family record. This stylistic approach permits the author to convey the horror of the times plainly and directly. “All the remaining valuables have to be taken along. A ring, a necklace and a watch. They are taken to a sports ground. A crowd of people is present.” The emotional quality of the events is directly and effectively communicated. This represents a gain of literary terrain over dry historical accounts. Whether this literary technique is appropriate remains an open question. Even though it may not be a calculated device – the author’s novels all employ the present tense – the power of the approach cannot be denied. Claudia Erdheim’s novel is highly authentic, of great density and confronts the irrationality of Austrian history without a reourse to shallow entertainment. Günther A. Höfler. Illustrierte Neue Welt. February/March 2007 |
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Sample text Chane, the maid, serves breakfast. Bread, cold chicken and chicory coffee. The floor of the sitting room is varnished and the walls freshly painted. In the middle of the room is a table, around it cane-bottomed chairs. The room is also furnished with an armchair and a desk. And there’s a sideboard holding Passover dishes, a menorah, silver candlesticks, the Book of Esther in a library case and a pearl handled Sabbath knife engraved with the words “Holy Sabbath”. On the shelves are small jars for spices and herbs, carafes, trays and vases. Beside the door is a large picture in a gilt frame. It depicts a tropical scene - a bluish sky over a bamboo jungle with gazelles in the foreground. A portrait of Moses Montefiore hangs on the east wall of the room.
Moses Hersch laughs.
Moses Hersch takes a pinch of snuff. The infant starts crying. Esther takes him and holds him to her breast.
Moses Hersch stands up, slips into his fur-lined greatcoat and leaves. He has to go to Drohobycz and have the brewery listed at the land registry office. The snow is deep upon the ground. He harnesses the horses to the sleigh.
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